My short film was called "Hey! That's My Hat!" It is made in the style of old silent move era films. It involves one character chasing after another character in order to retrieve his hat. The idea for the film was pretty easy to get to. We decided that we would work on a film in which there was a chase, and a point in which the two characters meet with one another. The production of the film went extremely smoothly due to our pre-production planning. We knew exactly what we wanted to do and we decided how we were going to do it.
We had mainly only successes with our shooting. It seemed like we knew exactly what we wanted to do and there were only one or two scenes we had to re-take. Since our film was modeled after a silent movie, we did not record any dialogue, and our audio was mostly music, white noise, and one sound effect. It took some work trying to line everything up perfectly. As for editing, it was mostly a matter of cutting out any excessive material and lining up the video with the audio. Our shots were already taken in order so there was not too much of an issue with continuity.
I really enjoyed editing the piece. It was fun picking the proper sound track. We found some great old-time music that went with our theme perfectly. We found some recordings of a record spinning that filled the blank spots with audio that also fit the film well. There was a point when we showed the character who took the hat, and we wanted to play a dun-dun-dunnnnnn sound effect. It took some work to time the sound effect with the video properly, but it ended up working out.
I think the things that we learned in class that helped me the most were lessons in camera-work and also lessons in artistic expression. I think that we brought the story along pretty well with the use of our camera angles and different shots. we kept it by the book. We used long shots, medium long shots, medium close ups. We also used our zoom and panning shots. In addition to that, all that we learned about artistic expression, and using what we want to tell our story best helped me feel pretty free in the production of the film. I didn't feel confined, and I feel like Buck and I got to make exactly what it was that we planned on making.
James' Summer 160 Blog
Wednesday, July 8, 2015
Thursday, July 2, 2015
MOMI Trip
My
favorite part about our trip to The Museum Of The Modern Image was the demonstration where our
guide played the scene from "Titanic" for the class. The idea behind the demonstration was to take
apart the audio of the scene, piece by piece, so that we could see the importance
of dialogue, sound effects, and music.
The whole demonstration left a pretty big impression on me and it taught
me a lot about experimenting with different methods of artistic expression.
Without
the sound being played during the scene, it was hard to focus on the action in
the film. The movement of the characters
on the set alone was not enough to capture our attention. Then, with just the dialogue being played, it
just seemed silly. The sounds of the
characters panting, screaming, and yelling, seemed comical when there were no
sound effects or music to back it up.
Next, the scene was just played with sound effects.
I found sound effects to be the most
interesting part because, without dialogue or music, it was easy to make out
what the sounds used for the sound effects actually were. The cables snapping on the smokestack were
gun shots. The smokestack collapsing was
a tin can being crumpled. The sound of Rose falling on the deck of the ship was
actually a sack of potatoes falling off a chair. This idea of using different objects to
create different sounds that leave a certain impression on an audience opened
up a new world to me. I feel that using
sound to represent something as opposed to recreating it is a beautiful method
for artistic expression.
Wednesday, June 24, 2015
Monday, June 22, 2015
What I heard along the East River Park.
I
walked along the East River down from 12th Street around noon, when the sun was
high and bright in the sky. There were
playgrounds, tracks, baseball fields, basketball courts, and soccer and
football fields all along the river. On
one side of me was the river that absorbed and reflected sounds more than it
created sounds of its own. Once a big
DEP ship sailed by, creating waves that splashed softly against the walkway. On the other side, beyond the parks, was the
FDR drive, which lent a constant and overpowering hum to the entire
environment.
Intermittently,
there was air traffic. Helicopters
chopped through the air. Much higher
above, I could hear the low drone of commercial airplanes. These are the sounds that made for the
keynotes in my environment. More piercing
was the constant chatter and laughter coming from the nearby children’s
playground, where occasionally a little girl would scream or a boy would shout.
In the rare moments when all else was
silent, a mixture of these sounds constantly intermingled to create the background
noise.
The
sounds I came more directly in contact with, and acted as the sound signals,
were the patting of jogger’s sneakers on the concrete, the jingling of dog’s
collars, the wheels of roller skaters scraping by, the ringing of a bicyclists
bell. People would walk by talking on
their phones. A woman in jogging attire
passed by saying “I don’t remember that.
Did you ask him where he was?” before her voice faded off behind
me. Two men, sitting by their fishing
rods had a conversation in Spanish, which I couldn’t make out. Their voices were gruff, but they exchanged
laughter. Way off, on the other side of
a baseball field I heard a saxophonist practicing his music.
Tuesday, June 2, 2015
My Artist Statement
I always wanted to be a writer. I thought that if I emulated my favorite writers, then I could shape my world to be like theirs. I travelled through Europe like Ernest Hemingway. I searched for romance like F. Scott Fitzgerald. I took care of a family property in Ireland and even tried to join the Irish army like Leo Tolstoy did in his homeland of Russia. All the while, through each experience, I wondered, "I'm not there yet. Why am I not there yet?"
Finally I exhausted my plans and schemes of how I could be like somebody else, or anybody but myself. I returned home, defeated and hopeless. It was in my darkest moments that I looked back on all I had done and had a realization. Through all my years of traveling and exploring and through every moment of humiliation and triumph, I had been there the entire time. Instead of appreciating where I was, I spent my most valuable moments thinking about where I wanted to be.
After realizing this, I began to see the beauty in everything around me. The beauty was no longer something that I had to search for, tirelessly. Beauty had become something that I could find in everything. There was beauty in the homeless man, with one leg, who recited his bitter poetry by the bus station. There was beauty in the woman who spent hours in the morning doing her hair, putting on makeup, and choosing an outfit for work, only to return home that night and do the same thing the next morning. There was beauty in the impatient teenager taking orders from entitled customers in the cafe.
I put traveling on a shoestring behind me. I could no longer work the late hours or the manual labor and write the way I wanted to write or live the way I wanted to live. I finally saw that my art wasn't to be something searched for or decided upon. My art was to be the expression of what had already been decided by the world around me. That is what I hope to share and I believe I can share it with the world also while making a living for myself through journalism.
Subscribe to:
Posts (Atom)